Celebrate the work made during Linda Lee's Te Whare Hēra artist in residency, Te Karanga ki ngā Taniwha.

Celebrate the launch of Te Whare Hēra artist in residence, Linda Lee's, showcase, Te Karanga ki ngā Taniwha.

A hands-on workshop for all ages to interact with materials featured in the exhibition. Come along ready to get your fingers sticky and work together to create a collaborative painting on one of the gallery walls.

A panel discussion focused on artists working with their own understanding of circular economy in creative practice. Speakers will include Raewyn Martyn, Tessa Russell, and Jess Charlton, alongside staff from Massey University, Angela Killford, Julia Hope, and Faith Kane.

Reproductive Surfaces presents new work by three artists working playfully within a shared system: translucent cellulose paintings grafted into the surfaces of Te Whare Hēra’s gallery space, and backlit within its harbour-facing windows.

locating the little heartbeats is a multi-media exhibition by artist Julie Nagam. Julie Nagam is a scholar, a curator and an artist. In her art, Nagam reads the land as a valuable archive of memory and as a witness. Read more…

Eating Each Other follows a series of performative dinners and is Ève Chabanon’s second solo exhibition in Wellington. The exhibition introduces her current research into Aotearoa New Zealand’s colonial history, the Arts and Crafts movement and intellectual property rights through handmade ceramic works and collaborative elements.

ships in the night is an allegorical consideration of how bodies and objects are increasingly choreographed and stymied within our crumbling colonial world order. New sculptural works by American artist Latham Zearfoss formally and conceptually align through the reverent use of low-grade packing material - brown paper, cardboard and tape.

Abaroa’s work has engaged a myriad of artistic processes and topics that correspond to the ever-changing context of his home country. In Fields and Notions Abaroa excavates his personal archive of video works, dating back to the early nineties when he was an art student. Abaroa brings these works into dialogue with new videos, drawings and objects he has collected and made during his time in Aotearoa/New Zealand.

Le Sceau de Salomon is an installation with videos and different media collected during Quenum’s 6 month residency in Aotearoa New Zealand. The French exhibition title “Le Sceau de Salomon” has two meanings: it is both the name of a forest flower, and a legend related to King Solomon.

The Green Vessel, is an ongoing project produced by Etienne de France’s which sets out to tell the story of a scientific team researching large scale water contamination in a remote river, in distant lands.

A Te Wai Pounamu/South Island glacier has been un-named by Sasha Huber, accompanied by Jeff Mahuika - a representative of Ngāi Tahu.

Aotea: It’s Our Fault Too explored the human generated notion of ‘fault’ as a social and cultural phenomena. For this exhibition, artists were invited to create reactive works, these included two video interviews discussing local natural earthquake forces; one looking through the indigenous Māori perspective and the other through scientific lens.

Kallio Kunsthalle: Ernst Collection is the mobile embodiment of Kallio Kunsthalle, an expanding suitcase art collection which consists of fragments and narratives from exhibiting artists and non-artists that have made their way to Aotearoa/New Zealand.

During his residency at Te Whare Hēra, Thompson produced Eight Limbs (2014) a series of C-type photographic prints of spiralling geometric images of Bidjara words.